Within the quiet walls of the National Museum’s National Art Gallery sits the hallowed but empty room of what used to be the Session Hall of the Philippine Senate. The generous mid-day sunlight streaming in from the massive windows interplays with the shadows within that carry the weight of history in this proud, almost mysterious setting.
“The Senate has held its session in this historic hall since 1926,” the plaque reads. Even though the Seat of the Senate is currently in the GSIS Building in Pasay, with a room steeped in such history in the repository of the country’s cultural legacy, it seems quite fitting, then, that a short distance down the corridor, we find one senator’s efforts in preserving Filipino history and heritage encapsulated in an exhibit called “Hibla ng Lahing Filipino: The Artistry of Philippine Textiles.”
It is even more fitting that in the midst of this old Congress building, a few whispers away from the glorious former Senate Hall, we are to meet with the main proponent of “Hibla,” who also happens to be the only female senator to top the Senate race twice, and the only woman to become the Senate majority leader.
Behind Senator Loren Legarda’s stature is her tireless effort as a public official. Serving the country through the Senate, she is chiefly responsible for the passage of a number of laws that she authored, among them the Magna Carta for Micro, Small and Medium Enterprises Act (RA 9501), the Barangay Kabuhayan Act (RA 9509), the Ecological Solid Waste Management Act (RA 9003), and the Climate Change Act (RA 9729). Her concern for the welfare of women and children championed with the Anti-Violence Against Women and Children Act (RA 9262), the Anti-Trafficking in Persons Act (RA 9208), and the Anti-Child Labor Law (RA 9231).
The list is longer and far more encompassing; and her work never stops. In fact, stockpiled on top of her already overwhelming number of responsibilities, the senator also chairs the Committee on Climate Change, Committee on Foreign Relations, and Committee on Cultural Communities. In 2008, the United Nations International Strategy for Disaster Reduction appointed her as its champion for Disaster Risk Reduction and Climate Change Adaption in the Asia and the Pacific region.
Walking With Loren A flurry of activity mildly interrupts the stillness in the air in another room where the production people wait. Senator Loren arrives with her staff and it seems that even with the simple act of walking, the lady senator is multi-tasking, conferring with her staff before she reaches the other end of the room.
Time is precious for the busy lawmaker and, at barely even lunchtime, one can sense she already has fulfilled several duties for the day, and is set on tackling the next ones on her agenda. Central to this day’s to-do list for the senator is a photo shoot for Kultura and Zee Magazine’s cover story. Wasting no time, the senator rushes off to change and, with a lot less time it takes for a model to be primped up for the cameras, the senator returns with a different outfit, simple hairstyle and make-up.
The shoot is fairly quick but marked by some discussions about composition, art direction and how she generally looks in the photos. Senator Loren, a former broadcast journalist and an award-winning anchor and producer of two of the country’s most popular and respected news programs, clearly knows the power of an image, whether it is a clip on television or a photograph. She has been, after all, a commercial model in her teenage years—seemingly a lifetime away, really.
If there is anything this exercise has shown us, it is that she is a woman who knows what she wants and is not afraid to speak her mind. Although confident in front of the cameras, having been around them for a good part of her professional life, the lady senator nevertheless also discovers something new about herself during the shoot. Used to being photographed a certain way, the senator is genuinely surprised with a picture of her taken head-on. The photo, her face to the camera, exudes quiet power. Hers is not a pose, it is a declaration; the shot near-perfect that it almost needs no words.
Weaving Her Story Born Lorna Regina Bautista Legarda to Antonio Cabrera Legarda and Bessie Gella Bautista in 1960, she is the eldest and only girl in a family of three children. With the blood of newsmen and public servants running in her veins—from her paternal great grandfather Potenciano Cabrera, the first Mayor of San Pablo City, Laguna to her maternal grandfather Jose P. Bautista, an editor of the pre-Martial Law newspaper, The Manila Times—she seems truly destined to find herself answering a higher calling; of treading the same path. But for this achiever, she becomes both a newswoman and a public servant.
There is a veneer of perfection to Senator Loren, and there is no doubt this something she aims at in everything she does. A woman fighting in a man’s world, so to speak, she is tough and demanding even, but to an extent that she would also impose on herself. A former vice presidential candidate who, according to a May 6, 2012 article by Philippine Star columnist Babe Romualdez, “no longer has any ambition for higher office,” she has just recently filed her Certificate of Candidacy for the senatorial race in 2013. She aims once again for a job not for the meek, one that could cower a lesser man even, and she’s glad to do it again.
But a rarely seen softer side to the lady senator comes by way of an article called “The Loren Legarda I Know,” written by none other than her younger son Leandro (Lean) Legarda Leviste in his column for the Philippine Star in May this year.
A “mom before anything else,” he begins, Lean also lightly reveals that his mother “sometimes thinks she’s Martha Stewart,” owing to her penchant for planting her favorite herbs in their garden and playing “interior decorator in the living room.” Painting a more human figure of Senator Loren than anyone ever could, he lovingly describes her as a micromanager in the kitchen “even though she can’t cook, because she can do just about everything else,” and calls her on her lack of rapport with technology—although she now apparently “swears that the iPad… changed her life.” Like many of us, sad movies make her cry, romantic ones turn her to mush, but she “avoids action flicks at all costs—except if they’re starring George Clooney or Harrison Ford.”
But perhaps the most personal aspect the son reveals of her is the senator’s extreme closeness to her mother. Senator Loren was once quoted to have said, “I am a mother first and foremost,” and it is evident that her own relationship with her mother has greatly shaped how she’s has cultivated her own bond with her sons.
In a Philippine Star column by Joanne Rae M. Ramirez dedicated to Mother’s Day also in May this year, she quotes the senator as saying, “My mother Bessie was my best friend. I am so much like her. But she died so young, at 61.” Yet the senator has never lacked for a mother figure thanks to her “yaya” of 50 years, Felicidad “Fely” Balagtas, whom she considers her second mother.
Nanay Fely, as she is to the entire family, has given up “a life she could have had to be with us. Her life is us,” Senator Loren was quoted in the article. As such, even her own sons Lean and Lorenzo (Lanz) have grown up under the grace and care of the woman the senator describes as “no longer just my ‘yaya.’ She has become my partner in life.”
Of all the many facets of Senator Loren’s private life and public persona, it is the strength as a woman that becomes quite immediate to anyone who meets her, owing to the influence of such strong women in her life. One also gets the sense that the senator’s strong empathy with our history and our people is because she has had first-hand lessons from her own mother—the love for our culture chief among them it seems. In fact, the “Hibla” exhibit houses rare pieces from Senator Loren’s own collection: several Baro’t Saya with Pañuelo ensembles of Bicol “pinukpok” abaca fabric worn by her late mother; as well as a T’boli upper garment, a Maranao “malong” and the B’laan ensemble that the lady senator proudly wears during important Senate sessions.
Even more so, during the shoot, Senator Loren points out that her background in one photo is T’nalak, a fabric from Cotabato, and her accessories comprise of gold earrings from Butuan and bracelet from Kalinga—“North to south,” she says, clearly proud to be central to a single image that represents the diversity of artistry of our people.
The Fabric of Philippine History In 2009, the month of October was declared as “National Indigenous People’s Month” through Proclamation No. 1906. Fittingly, along with the “Hibla” exhibit in the National Museum, Senator Legarda spearheaded the launch of the HIBLA website, which they held during the Manila FAME Design and Lifestyle Event at the SMX Convention Center on October 17, 2012. The site aims to further promote awareness about our traditional arts and crafts, and would prove to be an easier access for younger readers. Another highlight at the event, which closed on October 20, was the Hibla Pavilion of Textiles and Weaves of the Philippines.
“[It was] an exhibition aimed at showcasing our rich and colorful heritage through the Schools of Living Traditions (SLT), a program I supported to ensure that indigenous techniques on textile-weaving, basket-making, beadwork and embroidery are passed on to the next generation,” the senator said.
Highlighted in the exhibit were the Ivatan and Gaddang traditional weaving, Antique abaca/bariw mat weaving, Iraya Mangyan traditional nito basketry, Hanunuo Mangyan weaving, Panay Bukidnon panubok embroidery, Subanen pulaw weaving, Ekam Maguindanao mat weaving, Ata Talaingod liyang weaving, T’Boli t’nalak weaving and Blaan mewel weaving. By celebrating the artistry and grandeur of these weaving traditions, the senator steps up the focus on not just an awareness campaign, but on finding solutions to threats to these traditions, including apathy that could be a factor in their extinction.
“I have visited various provinces and communities in our country, and every visit leads to a discovery of the rich heritage of the indigenous peoples—the intricately woven fabrics, the songs, chants and dances that narrate the story of your ancestors and the distinct way of life they strive to preserve,” the senator notes on the Katutubo: Indigenous Peoples of the Philippines website. With unwavering pride for our heritage, this wonderful tapestry created by every cultural contribution of every indigenous community, Senator Loren works tirelessly to “promote this cultural inheritance and improve the welfare of its stewards,” as she states.
In 2011, the senator tells Philippine Star columnist Wilson Lee Flores, “There are 15 million indigenous peoples out of our over 100 million population in the Philippines. I care about them, because they’re marginalized and the most vulnerable also to climate change. They and their traditions are who we are as a people.”
The senator champions the cause of 110 ethno-linguistic groups nationwide “because they are among the poorest of the poor and the most marginalized. I champion their cause not only to hear their voice, but also to promote their culture and traditions, the heart and soul of the indigenous peoples,” she tells Flores.
Advocacy Politics In her interview with Flores, Senator Loren declined to talk about politics. She insisted, “The only politics I want to talk about is advocacy politics — how we can improve the lives of women, children, indigenous peoples, how to promote arts and culture, the environment, disaster risk reduction, nature, planting trees.”
At the shoot, she also waves off an interview with a smile, preferring that we visit and read up on all her office’s achievements and projects from her website and various links that detail them in full. Mind you, the wealth of material isn’t just about her work with our country’s indigenous peoples, but also her widely known environmental advocacies, what she’s done for the rights of women and children, education, good governance, as well as various foundations and programs. Action over words; it is much better to show results than to make verbose promises of things to be done.
Helping the plight of indigenous people is only one aspect of how Senator Loren hopes to preserve our national heritage. They have shaped our story as a people, reflected our courage in their music, our dreams in their art, our glory in dance, our knowledge in their skills; our self-worth seen in their resilience.
Yet, it is not only these indigenous peoples and their cultures that are in danger of extinction. An October 7, 2012 article that appeared in Philippine Daily Inquirer by Augusto F. Villalon detailed the “shocking state of heritage in the Philippines” as described by Dominic Galicia, an architect and the new editor-in-chief of BluPrint magazine. In it, Galicia laments the disappearance of certain architectural icons that speak of our heritage from the streets of Metro Manila and nearby provinces. Yet, he accounts being impressed by some measures taken to reverse this, especially that more people seem to be acting on their realization of the importance of heritage conservation.
To the communities she supports, defends and champions, Senator Loren is foremost in that list. Leading by example, she hopes to inspire the new generation through her own actions how truly important it is that such cornerstones of our culture are passed on, kept alive and lived.
by Annie S. Alejo photography Jo Ann Bitagcol creative direction and styling Melo Esguerra locale National Museum’s National Art Gallery Special thanks to Kultura Filipino
